The Vogue Collection shoppable wardrobe concluded the tour. In this wardrobe, clothes are transformed and become imaginative works. At the heart of it all, the unique creative reuse and communicative heritage with a keen eye on environmental and social awareness: for the occasion, Maison Valentino donated more than 80 metres of fabrics from its Haute Couture Ateliers to Vogue Italia, specially selected so that the artists could reinterpret them in a new personal expression. The world of fashion, between the end of the Sixties and the beginning of the Noughties, had a key character that embodied its spirit and told the tale: journalist Anna Piaggi, living witness of that contamination between art, society and culture that changed fashion and sanctioned its success on a global scale. The most magical wardrobe was The Fairy-tale Art Studio hosting Valentino Sleeping Stock, an initiative that since 2021 has been promoting the birth of a new life for the Maison’s stock of sleeping fabrics, within a visual container in which three international artists specialising in material research – Georg Haberler, Giada Yeya Montomoli and Thomas De Falco – engaged in a creative dialogue. Anna Piaggi as muse and style icon has spanned 50 years of history dictating trends, experimenting and drawing inspiration for her extraordinary writing from the most diverse fields. SJ in Conversation with Manolo Blahnik, Alina Marazzi and Judith Clark, Anna Piaggi: A Dreamer in the fashion world at the London College of Fashion. The aim was to create a different world, or rather a different wardrobe, in each room by playing with colours, contrasts and representative images.Īmong unique and extremely rare pieces, the exhibition leads to the discovery of the history of fashion through the incredible archive The Icon’s Wardrobe of Anna Piaggi: journalist, editor and unforgettable author of the famous double-page spread of Vogue Italia, but also a famous collector of eccentric garments, hats and bijoux from every era and style. PA Photos Anna Piaggi, the Vogue Italia fashion contributor and style icon, was born in 1931 in Milan. The achieved effect was that of an aesthetic container capable of welcoming and surprising those who entered the rooms, allowing them to create a dream world and give free rein to their imagination. Inkiostro Bianco contributed to embellish the exhibition The Vogue Closet with its wallpapers and wall-to-wall carpets to further enhance the emotional impact of the experience. A true dreamlike journey through a series of rooms in which immersive experiences in the world of fashion, design and art have been recreated. her friendship with Anna Piaggi at the premiere of the film Anna Piaggi: A dreamer in the fashion world. On the occasion of Milan Design Week, this legendary place was opened to the public in an exclusive event: The Vogue Closet. FASHION FILM FESTIVAL Milano, profile picture. Each carefully chosen garment makes up a piece of us and our identity.Īmong all wardrobes in the world there is one that has never ceased to intrigue and fascinate: it is the famous Vogue wardrobe, where trendy garments and accessories displayed alongside the most iconic ones that tell the story of the fashion world. It is therefore a potentially kaleidoscopic world, where everyone holds memories and special moments alongside everyday habits and comfort zones. Every day when we decide what to wear we decide who to be and what side of us to show to the world, whether it is a total black look to go unnoticed or bright colours and patterns to make people talk about us. The wardrobe is in the collective imagination the place that contains all possible personalities of an individual. The fashion maven was a muse to a many top designers, including Manolo Blahnik, Dolce & Gabbana, and Karl Lagerfeld, and also contributed to magazines including Adrianna, Panorama, Vanity, and of course, Italian Vogue."The wardrobe is the place where each of us chooses the daily representation of themselves" Sara Ricciardi And what a closet she curated-London's Victoria and Albert Museum showed a collection of her clothes in 2006 called "Fashion-ology," and it included 265 pairs of shoes, 982 hats, and 2,865 dresses.īorn in Milan, Piaggi started out as a translator for publishing house The Mondadori Group (it was there that she met her late husband, fashion photographer Alfa Castaldi). She masterminded thousands of flamboyant, ethereal, and downright inspirational spreads in Italian Vogue. Piaggi was fluent in several languages, though when she communicated through fashion, it was in ALL CAPS. Best known for her electric blue pin curls, rosy cheeks, and eccentric vintage ensembles, she has been called, among other things, "a poet with clothes" (Bill Cunningham), "anna-chronistic" (Karl Lagerfeld), and "the height of glamorous eccentricity" (Dita Von Teese). It's a sad, sad day for fashionphiles and lovers of fantastical hats-the one and only Anna Piaggi died today in her Milan home.
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